Archive for August, 2007

Angriest Rice Cooker Director’s Cut 61–On Rock

Monday, August 13th, 2007

This comic is the site of one of the stranger errors that prompted this Director’s Cut doodle. In the original version of this available in our archive, I used the phrase “I’m so indy.” I don’t know how I managed to write that as a way of writing “I’m so indie,” since I have a very distinct memory of standing in the comic shop where I work with one of my awesome former colleagues marveling at a background sight gag in Robert Kirkman’s comic Invincible. The main character goes into a comic shop and the employee is wearing a t-shirt of the cover of Craig Thompson’s Blankets. In another panel we see that the back of the shirt says “I’m sooo indy.” Now this gag struck a little close to home. We’ve had Craig at our comics festival twice, and one of those years our store t-shirt was a Craig Thompson image. So I guess we kind of felt like we were being made fun of in a comic that we actually liked a lot–and ironically I guess being made fun of for being the kind of person who would be “too good” to like the comic in question. Whatever. The main thing we focused on was how strange it was that he (or the artist, and I forget what era of Invincible this is so I can’t say which artist it was) spelled what we would usually always see as “indie” as “indy.” So it was very strange that I did the same thing in my own comic.

It was also strange to me that this seemed so very wrong when I looked at it. I mean, it’s a verbal shortening that is put into writing so it’s not like the orthography is super standard. It wasn’t until I looked at this comic about the seventh time that I finally put my finger on why it bugged me so much: in my mind “indie” is short for independent (although it certainly has it’s own connotations outside of what it’s short for) while “Indy” is Indianapolis. I don’t know why that is, since they’re pronounced the same. It’s just the way my brain’s map has ‘em set up. Go figure.

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Lets just say that my response to this was gleeful and not entirely dignified….

Monday, August 13th, 2007

I’ll get today’s Angriest Rice Cooker Director’s Cut up later today, but I just had to share this right now. Myself and my lovely girlfriend just got back (way too late) last night from an excursion to Montana. The trip was awesome and maybe I’ll talk about some of it later. Right before we started our drive over last Thursday afternoon, I was burning CDs of stuff to listen to on the drive. Like it often does, this included the podcasts I needed to catch up on, including Escape Pod, the SF podcast I’ve mentioned here twice before. Since I did a big road trip the weekend before, I had gone through most of the recent episodes, so I really wanted the one that was going to come out that Thursday. Usually they’re up by about the time we were scheduled to leave, so I spent the last few minutes before driving off in a frenzy of refreshing on iTunes only to be disappointed. So that’s the story of why it was four days before I learned that something really awesome happened to me.

You see, a couple of weeks ago Escape Pod started doing a “blog of the week,” giving away a mention and a book to one blog picked randomly from their Technorati referrers. But this week, in the podcast I tried and failed to download before leaving last Thursday, Steve Eley stretched his own rules and picked a blog non-randomly because it was “too cool not to mention.” That blog is the one you’re reading right now. This was based on my post about the story Conversations With and About My Electric Toothbrush. He described the Angriest Rice Cooker as a comic on his regular reading list. He said that the Angriest Rice Cooker would give the book in question three stars.

Having comics I wrote referenced obliquely in a piece of media I listen to anyway? Awesome.

Angriest Rice Cooker Director’s Cut 60–On the Tao of hackery

Friday, August 10th, 2007

I came up with this basic idea while staring at a huge number of “the Tao of XYZ” books at a Barnes and Noble. I grabbed all of the book titles in the first panel off of an Amazon search for “The Tao of” (all of them are real, by the way). The quote in the second panel is from chapter 56 of the Tao Te Ching as translated by Stephen Mitchell. I may have had to look it up, but I definitely knew the gist–that book is very important to me. This was a rare comic where I had the basic idea mapped out and then did research to fill in the pieces, rather than using research on random topics as a way to stimulate the comedy brain.

It’s also worth pointing out that I have a very severe love/hate relationship with the book The Tao of Pooh. On the one hand, Benjamin Hoff does a pretty good job of explaining the concepts of the Taoist masters. On the other hand, he pushes a lot of his own ideologies that in my mind run counter to the spirit of the Tao Te Ching as if they were a self-evident extension of the words of that book. Parts of his work I read as downright hateful, which is about the last word I’d use to describe the Tao Te Ching

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Angriest Rice Cooker Director’s Cut 59–On books

Thursday, August 9th, 2007

I’m pretty sure that this one started with me just thinking about what a book review by the Rice Cooker would work like and the comic evolved naturally from that into a joke lifted from an early Dilbert, when Dogbert marketed a newspaper that you can read every day. I like to think my version is a little more character-oriented rather than based on an odd bit of social commentary, but I know I thought of that Dilbert when I was throwing this one together.

In fairness to books, I think that the rice cooker thinks of basically everything as charming (or not-so-charming) distractions from the tedium of everyday life. It’s probably obvious, but this comic is a place where the opinions of myself and my creation diverge considerably. Books were my first love, and they remain a central part of my life.

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Angriest Rice Cooker Director’s Cut 58–On gender roles

Wednesday, August 8th, 2007

This is a basic joke idea that I’d been tooling around with for years in real life and modified to make an Angriest Rice Cooker. When people have suggested that this isn’t really a comic at all, just jokes on a .png, I’ve pointed out that while we can argue whether or not the comics are funny at all, they’re certainly not funny if you try to tell them. Sadly, that was true of the times that I’ve tried to make in person jokes that later became Rice Cooker comics. One particularly rough attempt to make the basic idea funny was the one time that I was talking about it to what I didn’t realize at the time was an actual male college cheerleader. That was kind of awkward.

Let’s just say that there’s a reason that my main humor medium is the internet.

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Angriest Rice Cooker Director’s Cut 57–On juries

Tuesday, August 7th, 2007

One of the common modern gripes that I find silly and exasperating to hear are complaints about the supposed lunacy in our court system, supposedly evident from warning labels on products and lawsuits that seem to defy common sense–when they are described in thirty seconds. Now, don’t get me wrong, there are a lot of problems with the legal system. But the last one I worry about is large corporations getting hit with lawsuits. Believe me, big corporations have got good defenders. And there’s a reason why we have trials rather than common sense decisions based on thirty second summaries–cases are often a lot more complicated than they appear. That’s not to say that the system is infallible, but it’s less arbitrary than snap judgments based on personal prejudices.

Even the infamous hot coffee spilling lawsuit is a little more complicated, and rational, than you might have heard. And all of this matters far more than simply bugging me–these kinds of things are pointed to by big corporations as a way to promote major changes to our legal system. While there is a case to be made for tort reform (not an entirely convincing one if you ask me, but there you go). Sound bites about “crazy lawsuits” are not a part of that rational case.

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Angriest Rice Cooker Director’s Cut 56–On hotter topics

Monday, August 6th, 2007

I always hated Hot Topic when I was a young’n, couldn’t stand to even be in one for more than a few minutes at a time when I was accompanying gothier acquaintances. And it certainly bugged me when they picked up stuff that I was actually into to make ironically cool (like a year after the fact, of course). But my friend once made the wonderful point that Hot Topic is a good force, because it shows white kids what it’s like to have their culture appropriated.  I never felt this more than when they started putting in Napoleon Dynamite stuff. Again, this was like six months after everyone kind of got over that movie, but I’m from Idaho, and while I’m not from the small town Eastern Idaho places like Preston, where the movie takes place, I definitely knew people like that. Dorky Idaho kid is my culture and they appropriated the fuck out of it. But in the long run, I guess I’ve come around to the Rice Cooker’s way of thinking about it. Hating Hot Topic is about as passe as, well, Hot Topic.

One other thing about this comic is that you can see me getting a little bit more confident about using the placement of the words in the panels in order to simulate a kind of speech pattern and intonation, even though it’s a rice cooker. You’ll see me play with this a little more a few comics later

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Angriest Rice Cooker Director’s Cut 55–On my anti-drug

Friday, August 3rd, 2007

This basic joke had been bouncing around my head for years before I actually made this comic. Sadly, anti-drug messages have moved on from “my anti-drug” so it’s kind of dated. I say sadly because I’m actually really happy with how this comic turned out. I really like how the rice cooker looks on the black background, and I like how the My Anti-drug logo turned out. I made that by going to the “my anti-drug” website, finding a real one with the right number of letter spaces, and then copying and pasting the individual letters from other ones. I think this was the most work I put into the visual aspect of any comic except for the first one–which admittedly wasn’t a lot. Still, I like it.

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Angriest Rice Cooker Director’s Cut 54–On the life philisophical

Thursday, August 2nd, 2007

This one originated when I was looking at a bunch of LiveJournal interest pages and noticed like five in a row that all had philosophy on them–and I was pretty sure that none of those people were exactly philosophy students. Of course, this is a little bit of a glass houses situation–my own LiveJoural info page has philosophy listed as well and, well, lets just say that basically everything I know about philosophy was at some point a part of an Angriest Rice Cooker. But my interests were actually determined by the subjects of all the comics (since the LiveJournal was originally created to be exclusively a notes page for the comic) that existed to that time, and philosophy was certainly one of the things discussed in the comic. I consider this a simultaneous joke about people who think they are deep and are interested in philosophy even though they’re not (this was totally me in junior high, by the way) and at the idea that a community run by philosophers would actually be great. I don’t think there’s any historical basis for that claim–and some fairly compelling counterevidence.

The name smittenedkitten13 isn’t actually a LiveJournal–in fact, it’s two characters too long to be one (ever wondered why my LJ name is angryricecooker rather than angriestricecooker? Now You Know!). This was a little in-joke to myself. In the first week or so that I was writing Angriest Rice Cooker comics, I considered making a topical one about this news story in which a dead 80-year-old (or so) woman was sued by the RIAA for file sharing in spite of the fact that she apparently didn’t even know how to use a computer. Smittenedkitten13 was her alleged username. I thought it was such a funny username that even though I never actually used that comic, it stayed in my mind. There was an added bonus that the name reminded me of a livejournal user I won’t name who was kind of bitchy to me one time and so I considered the comic a very very private dig at her (him? I’m actually not sure). That’s why you should never make me angry. I’ll make a joke nobody (including you) would even realize is directed at you in a comic you don’t read anyway. Fear my wrath!!!

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High School Nerds: Hyperwhite?

Wednesday, August 1st, 2007

A July 29th New York Times article about some research by linguist Mary Bucholtz on nerds in California high schools has been bouncing around the internet lately. The thesis of the research, as presented by the article is that nerds are distinguished from non-nerds as “hyperwhite,” meaning that unlike cooler students, they don’t appropriate elements of black culture. Dirk Deppey linked it on Journalista, and offered this critique:

[N]erdiness is also an absence of redneck culture, Jewish culture, Hispanic culture, Native-American culture, old-money culture and any of hundreds of other kinds of culture. Likewise, — though I’m sure this is something of a stretch for cultural-studies types — one shouldn’t discount the possibility that nerd culture is pro-something, rather than anti-black culture, or that it may in fact have nothing whatsoever to do with race. And come on, statements like “a culture based on theft is a culture not worth having” are, if anything, antithetical to practical nerdishness: Just ask the Japanese. (Isn’t Quentin Tarantino’s worship of 1970s blacksploitation films part of what makes him a nerd?) Still, don’t let any of this stop you from seeing life exclusively through a simple black/white dichotomy, Ms. Bucholtz!

The next day, he linked to this post by Jason Tocci, which approvingly quoted the above critique.

What both Deppey and Tocci, and to a certain extent the original article, are missing is that Burcholtz is a linguist. Her work is about language use and how it reflects culture. Their focus is on media studies (specifically comics in Deppey’s case). A big part of the problem, of course, is that the article in question comes through the popular media–and not even the popular science media. The Times article came from the Style section, which is hardly the best place to get news about scientific research. Fortunately, the actual study she published can be found with about five minutes of Googling. It’s entitled “The Whiteness of Nerds: Superstandard English and Racial Markedness.” It was originally published in in 2001 in the Journal of Linguistic Anthropology. You can read the complete article here.

Now, the article is written for an audience of linguists, so it throws around a lot of terminology that won’t be familiar to people who haven’t had at least some undergraduate level linguistics (and probably a little bit of specifically sociolingustics). So I’m going to use my intro-level understanding of linguistics and slightly higher than intro level understanding of sociolingustics to walk through what she’s actually saying. Because even though she’s talking about language, something we all use every day, linguistics and anthropology are sciences and while we certainly don’t have to agree with her findings, dismissing them without understanding them is unfair.

The first thing to understand about the article is that it refers exclusively to high school nerds. So adults who have a knee-jerk reaction saying “that’s not me!” can take a step back and consider it from that perspective. In fact, her research is limited to one high school in California, and never pretends otherwise. The article is less about nerds as a whole than it is a case study of one group of people who are “racially marked” in spite of adhering to racial norms. This concept of “markedness” is critical to understanding what Burkholtz is saying. In short, this concept says that certain features are “marked” in society and others are “unmarked.” In white mainstream society, whiteness is an unmarked feature–it’s considered the norm and deviations from it are remarked on. White people in white-dominated places don’t think of themselves as having a race at all. This is also true of dialect. People who speak mainstream (or standard) English don’t think of themselves as speaking in a dialect. Of course, they are. Everybody speaks in a dialect. It’s just that Standard English is unmarked.

These are purely social constructions. Objectively, there’s no difference between Standard English and African American Vernacular English (AAVE) in terms of which is a dialect and which is not–they’re simply different. In fact, Standard English doesn’t really exist as a spoken language–it’s an abstraction in our minds. We don’t speak the way we write, but we have a prescriptive vision of the pure kind of spoken English, English without an accent. In mainstream society this unmarked dialect is strongly associated with the unmarked race–white. There are white people who speak in ways that are marked–the redneck culture that Deppey mentioned is one of these. Although these people are white, their form of whiteness is marked. They speak with something less than Standard English, therefore their whiteness is poisoned. They are incompletely white.

It’s also important to remember here that “black” and “white” are also pure abstractions, socially constructed. They are not limited to color of skin, but to significant linguistic and cultural factors. In the same way that black students who are seen to achieve academically can be marked as trying to be “white,” white students can be marked as somehow outside the unmarked norm.

This is all background that Bucholtz cites at the beginning of her paper if you want to follow the paper trail on this stuff, you can look at her references. Suffice it to say that up till now there’s not a lot here that I didn’t read in sociolinguistics textbooks in college. If you want a good intro to these and other concepts and how they impact rights, I recommend Rosina Lippi-Green’s English with an Accent. She does a good job of laying out the results of years of linguistic research and why they matter.

One final piece of linguistic jargon that is important to understanding Bucholtz’s thesis is “register.” This simply means a way of speaking that is specific to a given context. For example, a person testifying in court is likely to use a formal or hyperformal register, depending on their level of comfort. A person speaking with friends uses a different, less formal register. There’s a variety of features that linguists look to to determine register–word choice, syntax, level of ellipses. A full discussion of that is beyond this post, but suffice it to say that linguists are very good at figuring out what register people are using.

The novel phenomenon that Bucholtz is looking at is that some people have a marked racial identity in spite of the fact that they adhere to the writing-influenced norms of Standard English. In fact, they have a marked racial identity because of their perceived over-adherence to these norms. This is the opposite of what we usually see–white people with a marked identity because they don’t adhere to mainstream norms. The group she’s talking about are high-school aged nerds.

She studied this by going to a large urban high school with a lot of diversity. In spite of the variety of races represented, race was generally seen as a European American/African American dichotomy by the students. Note that this is a research finding, not something that Bucholtz brought into the research. Although the European American students were more aware of their whiteness than people in nearly all-white schools (like the one I attended in Boise, ID), European American norms were still the unmarked racial identity. This form of identity can only exist as a reaction to black identity–unmarked standards are only ever really formed in response to the marked standards. But ironically, the unmarked majority took a large quantity of their slang and other cultural features from the marked African American minority. This created an odd balancing act. White students who took too much of African American culture–for example those who were too into hip-hop, were marked in the traditional way, as somehow not quite white. Yet the definitions of cool were intrinsically linked with African American identity. In fact, it’s been argued that the very concept of cool is borrowed from African American culture–even the word itself originated from the version of AAVE spoken by jazz musicians the first time that that dialect emerged from the South and was exposed to a mainstream audience.

But students marked as nerds, both by other students and by themselves, are also seen as outside the mainstream, in spite of the fact that they don’t use dialect from outside Standard English. In fact, they speak in a formal, hyperformal, or academic register even when talking amongst themselves–something that cool students never did. They speak in a way derived from writing, pronouncing words as they are written rather than as they are spoken in Standard English. Bucholtz labels this Hyperstandard English–a form of English that adheres to the norms of Standard English so closely that it becomes marked. They refused to use slang–when asked about current slang terms, they responded in an academic way and humorously offered literal definitions. In one case, a nerd did use a slang term, but it was marked with a hesitation and a false start, and she modified the term (wack) so that it fit the patterns of Standard English rather than AAVE (wacked). Because of the racial dimension of their marking, Bucholtz declared them “Hyperwhite”–adhering to the white norms in such a way that they become marked for it.

The point isn’t really, as Deppey takes it, that nerds are defined as a reaction to black culture. The point is that they are defined as a deviation from the unmarked white culture–but in the opposite way of what people usually are. This would be interesting to study, but I imagine that in places where the primary marked group is not black but, for example, rednecks, you would find an unmarked majority that samples elements of that identity and a group of hyperstandard nerds who reject it entirely. Note also that this definition does not preclude nerds from being members of other races, but it does mean that nerds of other races are marked as such in part because of their adherence to white norms. She points to the example of Asians, a nerd stereotype. She discusses how Asians are considered, in mainstream culture, to be the “almost white” race–this is a racial ideology that dates back hundreds of years.

Now, none of this is to say that Bucholtz’s argument can’t be argued against. But if people are going to argue against it, they should argue what she’s actually saying, rather than arguing with what they imagine she’s saying.

If you are a nerd reading this and you still don’t think it describes you or the nerds you know, I recommend reading the article itself, particularly the actual descriptions of nerd behavior. I didn’t think that her research would have described the kinds of nerd I remember being in high school and am today, but reading it I did recognize a lot of myself and my friends.

EDIT: In one of his comments to his post Tocci responds to the actual article as well, and acknowledges the more complicated version of racial identity that I’m trying to get at here. This was actually posted before I wrote this, but I managed to skip over it somehow, as is abundantly clear by my posting the link two comments down from him doing the same thing. Oops.


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